They say Bigfoot doesn't exist. But try telling that to a misguided group of explorers who are determined to track down the mythical Sasquatch when he's spotted in Northern California. The stakes get even higher when a privacy-loving pop star with a penchant for exotic animals offers up an impressive cash prize. But will the competing hunters kill each other first?

The Kid is a vicious psychopath given to laughing a lot, an actor manqué who leads a gang of looters and rapists, and is incestuous with his father to boot. The town’s resident Mater Dolorosa, madam of the brothel, hires her lover Marcado to kill the Kid, who is of course her son.

After conquering Mumbai’s underworld, Ojas Gambheera is drawn back to Tokyo, where unfinished wars with the Yakuza await. In a city of blades and betrayals, OG faces enemies deadlier than ever before. What begins as vengeance now erupts into a fight for survival, power, and his eternal legacy.

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A short documentary about the making of Jennifer Kent's 'The Babadook'.

An inspirational story that celebrates the grit, perseverance and talent of Sirr Parker, the star footballer of Locke High School who then went on to play for San Diego Chargers and Cincinnati Bengals.

Female-lead action film.

The story of the film They Call Me Lars pays homage to the “hard-boiled detective genre,” with present-day Prague standing in for 1930s Los Angeles. But private eye Lars doesn’t wear a suit like the legendary detective Phil Marlowe of old. He’s a tough guy in a leather jacket, with a shaved head and a scruffy beard. After being kicked out of the police force for complete insubordination, he scrapes by however he can. He solves various problems for his clients or, conversely, causes trouble for others. It depends on the assignment. The only thing left to him from his time in the service is his former partner and friend Gold. The only thing he has left from his time in government service is his former partner and friend Gold, and it is Gold who offers him a lucrative deal.

Being an adult is hard. It's especially hard when you’re only fifteen. Danutė is the only "adult" in her family. Clearly, that’s far too complex a role for a teenager. Every day, she faces external limitations that restrict her potential. A child like that measures everything through the lens of survival and takes on responsibility as her only form of protection.

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